RECOGNITIONS


Alecx Lorica is changing the acting scene

Young STAR sat down with Alecx to talk to her about her beginnings as an acting coach, creating an actors’ gym, and why self-agency is key to being an artist.”


1st Meisner Institute International Scene Competition (2021)

Best Acting Program
(Sightlines Actors’ Space)

Actors from acting schools and studios all over the world submitted entries for the competition. The Best Acting Program award was given to the school with the highest average score based on the submissions made by their actors.

This award is shared with Meisner Studio Manila.


25th Loyola Schools Awards for the Arts
(2018)

Theatre
(Performance)

The Loyola Schools Awards for the Arts, Dalisayan, is given to graduating seniors who have done outstanding work in the arts during their time as students of the Loyola Schools of Ateneo de Manila University. In the past years, recognition has been given to talented student-artists who have gone on to live productive and successful lives contributing to the fields of creative writing, theater, music, visual arts, graphic design, and film. 

© The GUIDON

11th Daegu International Musical Festival
(2017)

Final Round Entry
(Real-life Fairytales)

Alecx Lorica served as the Artistic Director of Ateneo Blue Repertory’s 25th Season. During her season, she headed the development of Real-life Fairytales, an original musical, and the preparation for submissions for the 11th Daegu International Musical Festival. Real-life Fairytales is the first production of Ateneo Blue Repertory staged outside of the Philippines.

© Vianne Borja

PRESS


ACTING REVIEWS

Growing up: A review of TA Department’s BFF

“Struggling a lot with identity, Lauren’s story is told by the careful acting of Lorica…Her exasperation and youthful naiveté perfectly portray an innocent preteen so ready for the world. Even when this is no longer the case, as seen in her scenes as an older Lauren, she still manages to appear have a multitude of emotions that go beyond just being inhibited.”

© Christopher Cancio


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